Baby Film Analysis: An Astute Portrait of LGBTQ+ Brazilian Hustlers Adrift in the Established Order

Channelling the urban restlessness and vibrancy of São Paulo, Marcelo Caetano’s unflinching drama focuses on those who live on the fringes of an ever-changing metropolis. Fresh out of juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) finds himself at a crossroads; abandoned by his parents, the innocent young man seeks comfort in the arms of others.

On an evening out with his rowdy group of LGBTQ+ and gender non-conforming friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a hunky, charismatic hustler significantly older than his age. Illuminated by the pulsating light of a neon-lit porn cinema, their introductory rendezvous is intimate and charged, with an hint of risk. Ronaldo quickly introduces Wellington to the underground scene of sex work and selling drugs.

A Portrait of Empathy Instead of Exploitation

The film illustrates Wellington’s new life of crime with tender empathy as opposed to as a exploitative warning story. Now going by the name of Baby, he engages in his paid liaisons with cocky bravado and endearing innocence. To his clients, Wellington provides not just his youth and his body, but also moments of care.

In the hectic energy of São Paulo, teeming with crowded backstreets and brightly painted facades, there’s a persistent isolation, as adrift individuals grasp at one another for momentary bliss.

"The city might be riddled with risk, yet they are also the space where they can find their own family, too."

A Complicated Relationship of Affection and Power

Ronaldo is at once a romantic interest and a guardian-like mentor to Wellington, but their relationship is derailed by jealousy and monetary insecurity. Threats from shady figures in the shadow economy are overshadowed by the dread of institutional observation and jail time, epitomized by the hovering figures of police officers on patrol.

Baby is particularly impactful as an astute portrait of the lost people who have been failed by the social system. The film functions as a heartfelt examination into making ends meet, non-biological kinship, and the quest for purpose within a harsh urban landscape.

Nathaniel Ferrell
Nathaniel Ferrell

Lena Visser is an urban geographer and writer passionate about sustainable city design and public space revitalization.